Woodworks by John

I doubt anyone would disagree if I said 2020 was an unusual and challenging year. It’s very easy to be discouraged, I need to discipline myself to create challenges even with the setbacks. Most art shows have gone virtual which means artists don’t have the need for as many frames. Galleries are seeing less traffic which obviously effects their sales as well. The gallery that carries some of my furniture and boxes (Anticus) has seen a drop in their business. The co-op I belong to (Mesa Art Center) has decided to close its doors until September! So what’s a craftsman to do — push through and take on any challenge that comes my way and set goals to hone my skills.

Here’s a wrap up of 2020, first off the frame for Diane’s painting “Going in Circles” is done. Great challenge to learn how to layout and carve the gulliochs. Here’s a link to that process and a couple of pictures of the completed work.

Another interesting project to wind down the year was creating a circular frame for a local artist. I have used solid wood for round tables which involves gluing together angled segments, routing or bandsawing the circle, then refining it. I knew the time required for that was too costly for this frame so decided to see how MDF would work and — it did! Oh boy, the dust with MDF is awful so I did the fabrication outside. A 2’x4′ piece was all that was needed for the project. The outer edge was doubled to get enough space for the 16″ stretched canvas panel. Several coats of primer followed by satin black gave an acceptable finish. Good challenge for sure and here’s the results.

The final frame of the year was another one for Diane, her work Through the Looking Glass inspired me to use the technique of oil gilding directly onto Red Oak for this frame. This is a technique I wrote about for a Picture Framing Magazine in August of 2011. The texture of the paint and feeling of Diane’s work seems to mimic the gold leaf sparkling in the open pores of the Oak. The profile I made for this I’ll call a “faux floater”. After the frame has been gilded with composition gold a slurry of denatured alcohol and whiting is used to rub the finish back — this is somewhat unpredictable. My goal was to create a sense of light to compliment her painting.

One thing I’ve learned about paintings is that we, as the viewer can have our own interpretation. For example, what I see in this painting is a woman seeking refuge in a bombed out church, probably in Europe during WWII. You probably see something totally different but that’s what good art is all about — the viewer fills in the gaps and creates the story.

On to the new year, every day is a new one so keep on challenging yourselves — John

In my latest blog I mentioned that I would write up the process I used to get the Guilloche design onto Frame #205 and here it is! Although it does seem rather complicated once you figure out your pattern and concentrate on the work it’s not too bad. When I first began carving I’d look at other carvers work benches and marvel at how many chisels they had. When you do a relief carving you can usually do the majority of your work using a V-tool. I soon learned though that if the design calls for repeating arcs or circles it’s really important to have the proper sweep and width of chisel/gouge to accomplish that. Quick review; the sweep refers to the arc of the chisel where #1 is flat and as the arc increases the numbers go up (#11 is almost a U shape). The width is expressed in millimeters. I’ll explain the process I used with pictures and captions, there may be other ways to go about it but this worked well for me. First work was done on paper. After drawing lines that represented the space available I drew a circle in the center that space based on the size of the gouge I would use. That was a #8/13 which yielded a 11/16″ circle. A compass was then set from the center of that circle to the outer edge of the space available to draw the outer circle. Next, another 11/16″ circle was drawn; it is located on the center line and just touches the outer circle drawn with the complass. At this point I set a divider from the center points of the 11/16″ circles. This measurement is referred to as a unit. Sounds confusing but I believe the pictures will clarify it for you!

So there it is, everyone always asks how much time did that take and each side of the frame took just under an hour and a half; so about 6 hours total time. For me though, I try not to be overly concerned with how long a project takes; rather my goal is to meet the challenge I’ve set for myself. Not having this be my “day job” allows me the freedom to have that mindset. I’m always happy to share what I’ve learned so if you have any questions feel free to contact me. Next will be finishing the frame which will probably be several coats of black Casein followed by shellac and wax. I’ll share the results of that as well.

I was recently contacted about making a set of blocks that would be used for something called letter press. The client is an artist who I’ve sat for in his portrait workshops and his request intrigued me to say the least. He started off by saying he needed “furniture wood” so my first thought was hey, furniture’s made out of all kinds of wood! As we do these days to learn about things is to do an internet search and I discovered that this process began with the printing of the Gutenberg Bible. There is a resurgence of it now for wedding announcements thanks to Martha Stewart! Here’s a link to the process.

The wood chosen was European Beech since this process began in Europe it seemed only fitting to use that species. It’s a hardwood with consistent grain that I thought would work well for this. The pieces are all 5/8″ x 17″ and vary in thickness from 1/16″ to a full inch in 1/16″ increments. I figured that my Powermatic planer with the Byrd head could handle all but the thinnest pieces (less than 1/4″). After surfacing all of the boards to the 5/8″ thickness they were cut to 20″ to begin the process. The job called for three sets of these pieces.

It was challenging to calculate how much of the lumber I needed so wisely chose to buy more than I thought I’d need. My shop is about 20′ square with a post dead center! The first step was to cut the pieces of Beech into 5′ lengths and uniformly surface them to 5/8″ thickness. These pieces were then cut to the 20″ length. Any leftover material could be used for future drawers.

This project required quite a bit of precision so I needed to come up with a method to achieve that. The 20″ long pieces gave me 3″ of extra stock to compensate for any snip the planer may give. First up was to establish a working edge on both sides of the 20″ long piece. I began with the widest pieces (1″) so set the bandsaw fence to that plus a sixteenth inch.

I’m using a 1/2″ wide Wood Slicer blade from Highland Woodworking.

After cutting it, it was run through the planer. My technique is to also cut pieces of the same size from MDF which serve as test pieces to verify size. Assured that the piece was accurate with the MDF each piece of Beech was run through at 1″. Those boards were then hand planed again to get a true smooth and square edge. The bandsaw fence was re-adjusted to cut the next three pieces a sixteenth smaller, MDF test piece too, and then the planer is adjusted up 1/16″ and the process repeated until I reached 1/4″ in thickness. At the bandsaw, three strips were cut for each size.

Even with the Shelix cutter head in my 15″ Powermatic planer getting precise finish on piece that were 3/16″ down to 1/16 inch isn’t possible. Running the thin pieces on a backer board through the planer gave marginal results. Tried to use double back tape to secure the very thin pieces but removing them usually tore the wood. Hand tools are often best so that was the solution.

I’m looking forward to seeing the results of my clients work with the Letterpress process. He plans to send out Christmas cards using this process so if I get one that means these furniture sticks were successful!

Just a side note: WordPress has changed their format and I’ve found it to be beyond challenging! Ironically enough they have told me that it is a block system based on the printing of the Gutenberg Bible. I’d be interested in hearing from other WordPress users if you’ve had the frustration I have with their new format — numerous communications with them unfortunately haven’t helped either.